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Flying Kiss Sculpture Emerges in Chongqing and Takes People on an Experience of Flight: Two Bodies, a Prince and a Fairy, Lift Plates That Rise and Spin Over the Vertical Drop of the Wujiang, With More Than 1,000 Meters, at the Highest Point, Descending Slowly, Generating Laughter, Screams, Fear and Online Curiosity.
The Flying Kiss sculpture became a global topic overnight when it was showcased as an attraction that suspends visitors in front of the vertical drop of the Wujiang River. The ride is described as a “flight experience” in a cliff setting with more than 1,000 meters from the base.
At the site, the Flying Kiss sculpture appears divided into two main parts, with one male character and one female, and differing opinions circulating about what it represents and how to “play.” Amid laughter, screams, and cellphone recordings, the attraction sparks debates about the boundary between monumental art and extreme engineering.
Where It Is and Why Height Dominates the Narrative
The account places the Flying Kiss sculpture in Chongqing, next to the Wujiang, with a constant emphasis on the landscape and the feeling of emptiness.
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The mentioned vertical drop is 1,000 meters, a figure repeated as a reference for visual and psychological impact for those observing from below and for those boarding.
The mountain itself is described as a high point in the region, and the upward movement makes the structure “take” the horizon.
Height becomes the element that transforms the visit into a test of courage, with admiration mixed with fear as the plate moves away from the starting point.
Two Bodies, Two Characters and Different Interpretations of the Theme
The Flying Kiss sculpture is presented with “two bodies,” as if they were two giants side by side.
Many people say they would be the Cowherd and Weaver, but the account states that, in practice, it is a couple, with the appearance of a prince and a fairy.
The costume reinforces the reading: the male character appears as a prince, while the female is referred to as a fairy, forming the image of a “kiss” that gives the attraction its name.
This ambiguity fuels discussions, because the work functions simultaneously as a visual narrative and as a ride machine.
How the “Game” Works and What the Visitor Actually Does
Those who arrive seek to understand “how to play” the Flying Kiss sculpture, and the account points out that there are different versions circulating on the internet.
Some say there is a helicopter, others associate the movement with the character’s arm that rises, and the observation on the day shows the actual operation on site.
The end of each side is a plate, and boarding occurs at the highest indicated point.
The table rises, spins, and brings the two sides closer, while the “opposite,” from the prince, also elevates.
The system is described as opposite operation, controlled by a joystick on each side, coordinating ascent and descent.
Ascent, Spin, Screams and Dizziness: The Reaction Becomes Part of the Attraction
During the movement, the Flying Kiss sculpture is described as a feeling of “flying,” with people behind in line and others recording everything with their cell phones.
At the top, the landscape is called beautiful, but the intensity appears in sounds: you can hear the screams while the platform hovers over the valley.
On the descent, the return is slow, and the sensation changes to bodily instability, with mention of dizziness and the time needed to “return to normal.”
The perception of the terrain also changes: the mountain begins to look small, with winding lines resembling map traits, reinforcing the visual impact of the journey.
Laughter, Critique and Debate About Bold Design
The Flying Kiss sculpture does not just generate applause, and the account highlights that many people are laughing at the proposal, comparing the “game” to plates and record players.
At the same time, the experience is treated as “incomparable” by those who disembark, suggesting that the value lies in the contrast between strangeness and adrenaline.
Between art and engineering, the attraction becomes a topic of conversation precisely because it is impossible to ignore: two giant characters, spinning plates, extreme altitude, and visible human reactions at each stage of the journey.
Would you dare to experience the Flying Kiss sculpture at more than 1,000 meters over the Wujiang or would you stay away from this “flight” on the cliff?
Mas e a segurança dos usuários as pessoas estão sem cinto sem corda sem nada adrenalina ou loucura eu não iria kkkk
Primeiro que achei horrenda a escultura. Segunda, não poria minha vida na mão de dispositivos eletrônicos, mecânicos, operados por humanos.
Nunca me encantei com novidades ****
Magnífico!! 😍👏🏻