Connection with the field, routine outside the stages and behind the scenes of personal life help explain why sertanejo artists keep properties away from large centers, combining rest, privacy, and ties to rural origins amidst intense agendas.
Simone Mendes maintains a public relationship with life in the countryside and associates periods of rest with quieter environments, away from the intense routine of shows, travels, and promotional commitments that mark her professional agenda.
When recalling her childhood in her grandfather’s farm in material shown by Globo, the singer highlighted that she preserves this bond by maintaining her own space where she usually gathers with her husband and children during moments of pause.
In this scenario, the image of a rural refuge helps to understand why the sertanejo universe, especially among artists with significant national circulation, remains connected to properties outside large urban centers and constant exposure.
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Iconic Brazilian singer owns a farm worth R$ 61 million with 2,000 hectares in Tocantins, an area equivalent to 2,500 football fields and located 90 km from a strategic agribusiness hub.
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Throughout her career, this connection appears recurrently in public records, always associated with the idea of family rest, contact with nature, and the preservation of a more reserved routine away from the stages.
Although more detailed descriptions of the farm circulate in celebrity publications and content from the agro sector, there is no independent confirmation regarding the exact area, precise location in the interior of São Paulo, estimated value, or totality of the infrastructure frequently mentioned.
Simone Mendes and the relationship with country life

Simone Mendes’ relationship with the rural environment did not emerge as an isolated element of image, but as part of the artist’s own personal and family trajectory over the years.
During her participation in the program “Viver Sertanejo”, the singer associated her story with living in the countryside, recalling childhood memories and reinforcing the role of this environment in the construction of her identity.
On the same occasion, she stated that she has a place to which she goes with her family when she wants to slow down, which highlights the use of the space as a personal shelter, beyond any property dimension.
With a consolidated agenda at the national level, Simone continues to be present at large events and maintains an intense routine, which makes the existence of a reserved space outside the urban axis functional.
In this way, the property fits as a point of reorganization between presentations, allowing for the preservation of intimacy and balancing professional life with moments of family togetherness.
It is also noteworthy that the pattern repeats in other public occasions, such as records of trips and periods of rest in properties aimed at leisure and privacy.
Investment in horses and connection with agriculture
Among the most concrete elements associated with the singer’s rural universe, there are records of investment in Quarter Horse breed horses, indicating proximity to the equestrian segment.
In a report published in 2021, Simone and her husband, Kaká Diniz, were mentioned as participants in the purchase of a colt valued at R$ 540,000, within a model shared with other investors.
Additionally, content released at the time showed images related to life in the countryside, including structures reminiscent of rural properties and activities linked to animal husbandry.
However, this information is not sufficient to fully confirm the existence of an elite stud farm with the size and complexity described in broader versions that circulated later.
Still, the available data indicates that the interest in equine genetics and the presence of high-value animals are part, to some extent, of the artist’s universe.
The confirmed point, therefore, is Simone Mendes’ association with investments in this segment, without independent validation of the entire structure often attributed to the property.
In light of the circulation of different versions about the property, it becomes necessary to separate what has a documentary basis from what remains unverified in accessible sources.

What is confirmed about the farm and what has not been verified
Based on what has been possible to verify, it is safe to say that Simone Mendes maintains a bond with rural life, uses this environment as a space for family rest, and has been linked to investments in purebred horses.
At the same time, her constant presence at major sertanejo events helps explain the need for a location that serves as support outside the urban circuit, contributing to the organization of the routine.
On the other hand, there is no independent confirmation that the property has exactly 2 thousand hectares, is located in the interior of São Paulo, or includes elements such as a private lake, professional studio, and high-standard livestock.
It was also not possible to validate, in the consulted sources, the estimated value in tens of millions of reais, although this type of data is often reproduced in unofficial content.
This information continues to circulate, but lacks accessible public documentation or direct statements from the artist that support the more specific details.
Amidst this scenario, what is established with greater consistency is the maintenance of a lifestyle that values contact with the countryside, without allowing for the assertion of all the elements attributed to the property as fact.

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